The metallic gloss of gilded ferns
twists and ladders up
the ivy-towered trellis
nailed down into
my left side —(bridging
the gaps
between
my ribs)—
glistening droplets of blood
escape from my eyes
and blossom into a hydra
crafted from
the translucent skin
of thirty-odd carnation petals:
This communion is for
the lost boys—what if
I had succeeded in taking
my own life? Would
I be housed
in this
purgatory, too,
fratello?
Christopher Cannon is a PhD student at the University of Pittsburgh. He produces sonics and visuals repesenting marginalized communities when not teaching. His works have appeared in the Oakland Arts Review and the Case Reserve Review.
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